No, these images were not taken on a Hasselblad or Rolleiflex but on the very humble 6x6 Ikon Zeiss Nettar Medium Format Camera.

Originally released in 1934, it went through several different iterations with the final Nettar II 518/16 being released in 1949 and ending production in 1957.

In this video we will look at the camera, its functions, how you can load film, take pictures with it and along the way I will show you what you can expect from taking images for the very first, how to avoid making the mistakes that I made and start taking beautiful images which will rival any 6x6 Medium Format camera.

Over the next few years expect to see a lot more digital Medium Format Cameras appearing on the market. Fuji has already made a flying start with its GFX range and you might be wondering what’s the point of shooting Medium Format? What is it and what can I use it for?

Historically speaking Medium Format Film Photography has been used by professionals who are creating work for clients that needed extra detail. Peter Lindberg put it best when he said the 35mm is for conversational photography and Medium Format is more for presentation style work.

This is a 6x6 Medium Format Camera and you will be able to capture 12 shots on this wonderfully simple camera. If you have an Instagram, you’ll be familiar with the square format which was originally started with 6x6 Medium Format cameras!

At first glance there is very little to the camera. It is a very light and highly portable camera. Its bellows open to reveal a fixed 75mm lens, aperture range from f5.6 through to f22. Its shutter speeds are 25, 75, 200/sec. You can put the shutter in between these fixed positions.

As there is no on board light meter, you will need to use the sunny 16 rule if you don't have one and if you do - use it!

How to operate the Ikon Zeiss Nettar

Let’s go through controls of the camera, the shutter release, cold shoe, bellows release and the film wind. If you are not sure about something, just hit pause or come back to it so you can master this at home yourself.

By pressing the bellows release the camera reveals itself. You will have to manually adjust all the settings including the distance between you and your subject, shutter speed and aperture. I would strongly recommend using a light meter which will calculate the correct settings when using this camera.

Be careful when you first open this camera, the bellows can pop out very quickly. Place your hand gently at the front of the camera and then press the bellows release. Let the bellows unfold out slowly.

The camera is in your hands, perhaps over 70 years old, treat it gently and perhaps someone else can benefit from using it 70 years from today!

There are main parts you need to focus your attention on when you open the Zeiss Ikon Nettar. The first dial you must adjust is the distance between you and your subject. It ranges from 4ft through to infinity.

4ft is about 1.2m so as a rule of thumb you can measure one large stride between you and your subject and you should be good to go. Maybe even work out what 1.2m looks like in your own stride or step. This is especially important when shooting a subject and when you are time pressed.

You don’t want to be carrying around a tape measure with you, alternatively if you have a tape measure app on your phone you could use that too!

If you are shooting landscapes, then stick it to infinity and you are good to go, simply easy.

The shutter speed goes from bulb mode through to 200/sec. Again, you will need to adjust this yourself and set it using the orange marker on the shutter speed dial.

Your aperture dials from f4.5 through to f22. Stick to one of the marked aperture points on the dial when you are starting off. Once you have a good command of these and you are happy with the results, then play a little more and see what you can create.

Once you have dialed in your distance, shutter speed and aperture you are ready to shoot. You will need to pull the shutter lever back to prime the camera. There are two ways in which you can release the shutter.

The first is with the 'leaf shutter release' at the base of the camera. Alternatively, you can use the shutter release on the right-hand side of the top of the camera. If you are shooting handheld, I would strongly advise using the leaf shutter where you can.

If shooting something where you need to have the shot come out for sure, such as a portrait of a friend or a client, then use a cable release like this one. They are very inexpensive and you can find many online for a few pounds or dollars.

The shutter release button at the top of the camera is where you can screw in the cable release. Once in you can control the length and duration of your shutter release by depressing the shutter here. This allows you to take multiple exposures as well as long exposures. Be sure to check getting your timings correct before you attempt this though!

How do you load the film on the Zeiss Ikon Nettar?

How do you load the film? Easy, close your camera bellows and turn it over. Pull down on the silver latch on the left side of the camera. The camera takes 120 medium format rolls which will give you a large 6x6 negative.

To put the roll into the camera, pull down on the springy silver bit located on the bottom right-hand side of the camera. That will allow you to slot in your roll, then gently release the springy bit back and the roll should be firmly put in place.

Pull the film across on to the empty spool on the left-hand side of the camera, wind and close the back lid firmly.

Now, roll the film by using the scroller dial on the top left-hand side of the camera until the first frame can be seen on the camera gate located in the middle of the back of the camera. In total you can capture 12 shots on each roll of medium format film.

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Did you know you can also use 35mm film in your Zeiss Ikon Nettar? You will need some 35mm adapters such as these ones. This is easily found online or at a good vintage camera store.

Here’s how to get this setup. You will need any roll of 35mm, attach the adapters like so. With the adapters fitted you will need a spare film spool and some tape.

Take the film tongue and attach your tape like so. Now word of caution here if you are doing this in the open you will lose the first few frames on the film as it will be exposed when you pull it to stick it in.

You can get around this by investing in a dark bag. Once you have the film on your adapters and the tongue taped you can pop this into the dark bag and then mount the film blind into the camera. It looks hard but honestly it's really easy.

On a side note the dark bag has come in very handy. On occasions when film might get stuck in your camera, this can happen on any film camera, you can whip this out and salvage your film anywhere, anytime! I have saved several rolls in my time using this.

It is however, especially important for this camera because once you have finished the roll there is no way of rolling this back. So you will have to pop it into the dark bag and then manually wind the film up. You can do this by twisting this top bit clockwise.

Now I don’t have the tech to show you how to mount this in the dark bag but I can show you how to mount it in the daylight. Simply pop the film into the holder like so and then drag your film across and place the spool inside.

Before you close the back of the camera I would advise you to put some tape or piece of cardboard, you can take some from the box of film and tape it right over this red window. The reason is because this normally would allow you to see which frame number you would be on medium format film.

You can see that here on this medium format film strip. This paper protects the film from being exposed from the red window which is not present on 35mm film so you have to make one! If you don't you’ll end up getting a panoramic shot like this.

You might be thinking, but Ahsan, you have a window latch at the back of the camera! Yes, you do and you could tape that up or even just keep the camera inside a case if you have one. That way you know it should be fine.

There are lots of film stocks to choose from on 35mm and Medium Format. These include color negative films such as Kodak Portra, through to dedicated BW film stocks produced exclusively by Ilford and if you are feeling truly adventurous then stick in some slide film such as Ektachrome, Velvia or Provia.